|
In my work I seek to deal with the metaphysical, working instinctively and constantly trying to
marry the spiritual and the physical in an attempt to produce work which possesses a deeper
truth and a dynamic tension.
My work contains ideas of ritual, power, transformation and the remarkable connection
between all things.
Attempting to retain a sense of personal 'connectedness' through the language of materials
and the spiritual nature of substance is a strong motivation in my work.
Sophie Myfanwy Wellan
"Feminine and fragile, the work of Sophie Wellan invites the viewer to enter her intimate
universe through the decoding of a complex web of symbols and signs. Whether it is by
gluing dead bees in the shape of feminine apparel, or imprisoning a red dress in the gaol
of a ruined castle, Sophie expresses in highly dramatic, and often ephemeral, gestures
an anxiety in which the viewer ends up inevitably recognizing himself. In that sense Sophie
extends the representation of her private world, to a universal dimension, revealing a collective
existential angst. The work of Sophie Wellan distinguishes itself, not only by its symbolic
depth, but also by the uniqueness of the means. Without tying herself to any artistic trend or
fashion, Sophie explores in her work the own nature of the materials she uses. A piece of
wood, a bee, or a cloth are not used as bases for the artistic work, but as elements
interacting organically with the work itself. The combination of the powerful identity of
materials used with the ultra-sophisticated and precious settings of Sophie's works,
eventually create a uniquely disquieting total experience."
Anwar Nassar
President of Trampolim
Organizer of the exhibition "Novos Britanicos"
British Brazilian Center, 2004.
|